The valley of Kashmir, a territory disputed by India and Pakistan since 1947, is one of the most militarised zones in the world. In 2010 the Indian government provided the security forces deployed in the state of Jammu and Kashmir with a new weapon. Shotgun shells filled with hundreds of small lead pellets are since then used to keep public protests under control. Defined as a “non-lethal” weapon, pellet guns should be aimed at the lower part of the body.
On 8 July 2016 guerrilla group Hizbul-e-Mujahideen‚Äôs young commander Burhan Wani was killed in an encounter by the Indian army. Popular especially among the youth thanks to his use of social networks to spread his message, Wani‚Äôs martyrdom was the sparkle that lighted up the entire valley. The government imposed a four-month-long curfew on the local population, while separatist leaders called for a continuous strike.
Hundreds of young boys filled the streets of Kashmir protesting against the ‚ÄúIndian occupation‚Äù, throwing stones against the army and the Kashmiri police. Security forces, since July 2016, responded using pellet guns extensively.
According to a recent released UN report, the new weapon is responsible for blinding around 1000 people and killing dozens.
Many of the victims were not involved in the clashes with security forces. Those who were hit during the protests tend to avoid speaking about it openly, fearing retaliation by the police.
For youngsters left with one eye reading has become too painful, thus forcing them to abandon their studies, giving up the chance of pursuing higher education. Men left blind, the only breadwinner in the family, are unable to work and provide for their beloved ones.
Carrying dozens of pellets in their bodies, victims face unknown long term health consequences.
Left partially or totally blind, victims speak of the darkness descended upon their lives. The only things left to see are the faint shadows that surround them.
This exhibition is supported by:
When: 11:30am Saturday 4 May
Where: Festival Hub, Paddington Town Hall
Camillo was born in Rome in 1988. Only after completing his studies in political science and anthropology, in 2015 he decided to devote himself entirely to photography. Nowadays, is mostly interested in personal and long-term projects and deals with documentary photography through the combination of the anthropological approach and the photographic medium. Since 2015 he is working on a visual project about the valley of Kashmir, India, exploring the notion and the experience of conflict, memory, religion and political aspirations. In 2016 he received one the of Alexia Foundation Student Grant to keep working on his long term project “The endless winter of Kashmir”.
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