Documenting the environmental legacy of gold mining around my home in Fryerstown, the epicentre of the 1852 gold rush. This strangely poignant landscape was literally turned upside down through violent extraction – but it remains resilient and in the long process of recovery. The exhibition is a selection of my work from 1989 to the present. My images show the devastating effects of mining, Millennium drought, flood and invasive plants, but also remind us of the inter-connectedness that links all parts of this ecosystem, including its human occupants. This is a terrain that I love, and I hope I see it with understanding and perception. It is a landscape full of complexity, a region with a terrible past, but in its capacity for renewal is also a place that offers a spark of hope for the future. I use film and digital capture, gelatin silver photograms, lumen and cyanotype.
Julie Millowick has always worked commercially whilst simultaneously continuing her personal practice. During her studies at Prahran College of Advanced Education, Julie worked part-time in the darkroom and studio of AtholShmith/JohnCato/PeterBarr.
From 1977 she freelanced; her corporate industrial clients included Mayne Nickless, Westpac, Victorian Arts Centre, State Bank, Australian Wheat Board, Australian Wool Corporation. Julie was the only female industrial photographer working at that time in the Melbourne area.
In 1977, Millowick was part of a group exhibition at and curated by the National Gallery of Victoria that then went to the Australian Centre for Photography, Sydney.
She has exhibited continuously including her entire exhibition called Familiar Stories, that in 1993 was included in Intimate Lives with Sally Mann, Nan Golden, Jacques Henri Latique at Fotofeis, Edinburgh.
In 2003 Robert Nelson, The Age, wrote of A Year in Our lives “Millowick’s exhibition is a tour de force in the medium….”
She is included in the 2010 publication Look: Australian Contemporary Photography since 1980, Author Anne Marsh, Macmillan.
Julie is in the collections of NGA, NLA, SLV, NGV, Horsham Regional Art Gallery, Castlemaine Art Museum.
Submit your work to be considered for solo or group exhibitions in Head On Photo Festival.
Enthralling. Enchanting. Extraordinary. Discover exceptional photography for free around Sydney during the festival 8 Nov–1 Dec 2024