The Internet has changed the way we consider photography, and the medium has undergone remarkable transformations at every level. No longer restricted to the gallery wall or the printed page, photography now regularly—and sometimes exclusively—appears onscreen. More significantly, Web 2.0 is influencing photo culture around the world by connecting international audiences to art experiences, enabling the discovery of new work and presenting never-before-seen channels of expression and participation.
For the past five years editor Andy Adams has been been publishing FlakPhoto.com, a website that promotes photography from within the online photo community. In the fall of 2010, Adams teamed up with curator Larissa Leclair to produce a photo projection for the FotoWeek DC Festival of Photography, which screened simultaneously at several non-traditional exhibition venues: on the exterior of the Corcoran Gallery of Art, in the Satellite Central projection theater, and on screens fixed to trucks traveling throughout the streets of the city.
The projection features 100 dynamic portraits from an exciting group of contemporary photographers in all stages of their careers, each selected from the digital archive on FlakPhoto.com. In the spirit of the public art projection in Washington D.C., Adams mounted a complementary digital exhibition that would be immediately accessible to an international online audience. Since launching in November 100 Portraits has been viewed by more than 54,000 visitors from 24 countries and the project has been featured in Wired Magazine, The New Yorker, National Public Radio, aCurator.com and The Washington Post.
In some circles, photography remains a predominantly printed medium. Books and prints are highly collectible and their physical presence is still essential for many photographers. But digital media is transforming photography so it can flourish outside the constraints of traditional publication and exhibition. Contemporary photo culture is marked by a continuous flow of images online and 100 Portraits celebrates the role that a thriving online photography community plays in the discovery and dissemination of work produced by significant artists in the Internet Era. In this context, projected several times larger than life, these portraits look back at us and embody a louder voice in the discourse of the gaze.
Amy Elkins /Amy Stein / Andreas Laszlo Konrath / Anna Bauer /Ben Handzo / Ben Huff /Betsy Schneider / Birthe Piontek / Bob Shamis / Bradley Peters / Brea Souders / Brian David Stevens / Brian Ulrich / Bronek Kozka / Caitlin Teal Price / Carl Wooley / Carrie Will / Chris Verene / Claire Beckett / Clayton Cotterell / Daniel Ramos / Daniel Shea / Darin Mickey / Dave Jordano / David Griggs /David Maisel / David Wright / Deborah Mitelstaedt / Dina Kantor / Dorothy Deiss / Doug Dubois / Elijah Gowin / Elizabeth Fleming / Eric Ogden / Eric Weeks / Finn O’Hara / Gloria Baker-Feinstein / Graham Miller / Hector Mediavilla / Jacob Koestler /Jaimie Warren / Jane Tam / Jason Florio / Jason Hanasik / Jen Davis /Jesse Burke / Jessica Todd Harper / Jon Feinstein / Joni Sternbach /Jörg Brüggemann / Justine Reyes / Justyna Badach / Katrina d’Autremont / Keliy Anderson-Staley / Laura Pannack / La Toya Ruby Frazier / Lydia Panas /Manjari Sharma / Mary Amor / Maureen Drennan / Mickey Kerr / Mikael Kennedy / Mikhael Subotzky / Molly Landreth / Mona Kuhn / Monika Merva / Myra Greene / Nadine Rovner /Nathalie Bothur / Noah Kalina / Philip Dembinski / Phil Toledano / Rachael Dunville / Rafal Milach / Sage Sohie / Robin Schwartz / Sage Sohier / Sara Code-Kroll / Sarah Small / Sarah Wilson / Shane Lavalette / Shawn Gust / Shen Wei / Simon Roberts / Sophia Wallace / Sophie Jacobson / Steffanie Halley /Stella Kalaw / Steve Giovinco / Stewart Simons / Susan Worsham / Suzanne Opton /Tamara Dean /Tealia Ellis-Ritter / Todd Hido / Victor Cobo /Wang Yi Fei / Will Steacy / Zoe Strauss / Zwelethu Mthethwa
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